Contemporary Chinese Art: Primary Documents (Moma Primary Documents) (Paperback) - Common

Seriously illustrated, this assortment brings jointly rigorously chosen basic texts on modern chinese language paintings, prepared in chronological order

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Nationwide paintings Museum of China Chen Danqing mom and Son. 1980. Oil on canvas 138 | ILLUSTRATIONS 7 Zhang Qun and Meng Luding within the New period: Enlightenment of Adam and Eve. 1985. Oil on canvas, 6' 5" × sixty five" ( 196 × 164 cm ). assortment Taikang existence assurance corporation 8 / 9 Ye Yongqing wake up in Spring from Hibernation. 1986. Oil on wooden, 39 3⁄ × 27 1 ⁄ 2" ( 100 × 70 cm ). assortment the artist Wang Guangyi Post-Classical — Return of the good Sorrow. 1986. Oil on canvas, fifty nine" × 8'6" (150 × 250 cm). inner most assortment 139 | 140 | ILLUSTRATIONS 10 Zhang Peili Midsummer Swimmers. 1983. Oil on canvas, 66 7⁄8 × 67 3⁄4" ( 172 × a hundred and seventy cm ) eleven Mao Xuhui Shepherdess and White Goat. 1986. Oil on canvas, 33 7⁄8 × 35 7⁄8" ( 86 × ninety. five cm ). deepest assortment 141 | 12 Ding Fang urban. 1985. Oil on canvas, 23 5⁄ eight × 35 1 ⁄ 2" ( 60 × ninety cm ) thirteen Southern Artists Salon First Experimental Exhibition of the Southern Artists Salon. 1986. photo of a functionality, sunlight Yat-sen college, Guangzhou. assortment the artists 142 | ILLUSTRATIONS 14 / 15 Xu Bing e-book from the Sky (A replicate to investigate the World — Fin de Siècle Book). 1987 – 91. Handprinted books, ceiling and wall scrolls, revealed from wooden letterpress sort utilizing fake chinese language characters, dimensions variable. set up view in 3 Installations by way of Xu Bing, Elvehjem Museum of artwork, college of Wisconsin – Madison, 1991 Wenda Gu knowledge Comes from Tranquility. 1985. Mixed-media set up with ink, rice paper, lacquer, bamboo, and woven fabrics, 16' 5" × 26' 3" × 32" (500 × 800 × eighty cm). initially commissioned through Zhejiang Academy of good Arts, China. paintings now not extant Wu Shanzhuan pink Humor — Red Characters. 1986. Mixed-media set up, dimensions variable. deploy view, Hangzhou, 1986 | starting day of the China /Avant-Garde exhibition, February five, 1989, nationwide artwork Gallery, Beijing 143 16 / 17 144 | ILLUSTRATIONS 18 Sui Jianguo Earthly strength. 1992 – 94. River rocks and welded metal, 26 items, each one approx. 19 3⁄4 × 23 5⁄ eight × 27 1 ⁄ 2" ( 50 × 60 × 70 cm ). assortment the artist 19 Liu Xiaodong funny story. 1990. Oil on canvas, 5'10 × 70" ( 180 × 195 cm ). assortment Mr. Lawrence Wu 145 | 20 Fang Lijun sequence 2, No. 2. 1991 – 92. Oil on canvas, 6' 6 3⁄4" × 47 1 ⁄4" ( 200 × a hundred and twenty cm ). Museum Ludwig, Cologne, Germany 21 Liu Wei Spring Dream in a backyard: Dad in entrance of the television. 1992. Oil on canvas, 39 3⁄ × 31 1 ⁄ 2" ( 100 × eighty cm ) 146 | ILLUSTRATIONS 22 Wang Guangyi nice Criticism — Kodak. 1990. Oil on canvas, 39 3⁄ × fifty nine" ( 100 × a hundred and fifty cm ). deepest assortment 147 | 23  Zeng Fanzhi masks sequence No. eight. 1996. Oil on canvas, 70 × 55 1 ⁄ eight" ( 170 × a hundred and forty cm ) 148 | ILLUSTRATIONS  24 Zhang Xiaogang Bloodline — Big kin. 1994. Oil on canvas, fifty nine × 70 3⁄4" ( 150 × one hundred eighty cm ). assortment the artist 149 | 25 Yue Minjun Sky. 1995. Oil on canvas, 39 3⁄ × 31 1 ⁄ 2" ( 100 × eighty cm ). assortment the artist 2 INTRINSIC views | a hundred and fifty 151 | INTRINSIC views globalization and a family flip, 1990–2000 152 | C hina underwent a profound transformation within the Nineteen Nineties, while fiscal reforms and the Open Door coverage started to produce full-blown outcomes.

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